Japanese Woodcut
Traditional Techniques and Contemporary Practice
Carol Wilhide Justin
Japanese Woodcut is a complete guide to the art and practice of ‘mokuhanga’. It explains the delicate lines, luminous colour and intriguing compositions that first influenced the Impressionists in the nineteenth century, and presents this rich art form as a compelling and diverse technique for the printmaker of today. With over 400 illustrations, this book is a beautiful companion for everyone interested in exploring and understanding the great possibilities of this enduring technique.
This book explains the technique which is now acclaimed and practised widely in the West. Its popular success is partly because the process is entirely non-toxic and environmentally friendly, but also because it allies the certainties of woodcut with the nuance of watercolour. In so doing, it has opened up a whole new landscape for contemporary printmakers.
As well as explaining the full process from design to cut, it pays particular attention to printing and different methods of achieving specific effects for the more advanced, including printing larger woodblocks. The final chapter features a range of prints from leading practitioners and celebrates the success of this unique art form.
£19.99
ISBN: 9780719843198
Published: January 30, 2024
Format: Ebook
£25
Buy HardbackISBN: 9780719843181
Width: 215mm
Height: 260mm
Pages: 208
Published: January 30, 2024
Format: Hardback
About the author
CAROL WILHIDE JUSTIN ARE is a Japanese woodcut printmaker based in London, with many years of experience as an artist and tutor. After studying mokuhanga at MI-Lab, Fujikawaguchiko, Japan, she gained an MA from The Royal College of Art. She currently teaches and lectures widely on Japanese woodcut, and her prints are exhibited internationally.
Press reviews
With over 400 illustrations, this is a comprehensive as well as aesthetically pleasing guide.
Henry Malt, The Artist
The Artist
As an experienced printmaker myself, I found much delight in what was included, and in what I might try, having read the book. For new and experienced printmakers of all disciplines, I recommend this generous publication.
Merlyn Chesterman, Printmaking Today
Printmaking Today